2/7
As the visitor circled the structure, this narrow gap became apparent, giving a flashing view of yellow beyond. Often this would give the illusion of their being no third wall. An interplay occurred between the repulsion caused by the imposing walls and their markings, and the attraction of the brightly-lit corners with their peep-view inside.
Importantly, the shifting perceptions caused by this illusion meant the installation could not be taken in at one glance, and required the viewer to move through the room.
- Home
- Paintings
- Objects
- Installations
- Works on paper
- Photoworks
- Videos
- Archive
- Biography
- Notes
- Convictions in Art
- Notes on My Practice/ What's Wrong with the Hidden City Project?
- Gordon Matta-Clark and the Wall Sandwich
- Construction & Destruction
- Crisis
- Limits to Movement Through space
- Notes on the Work of Marcel Duchamp
- The Studio
- Art and the Reality of Fiction
- Bad New(s) Days
- Sunlight
- Faith, Confidence and Belief
- Not 'Picture Marking'
- Agnes Martin vs. Pacific Rim
- A Lament for the Lost Innocence of Abstract Art
- On Academic Writing and Finding One's Voice
- The Site of Art
- Fun Lichtenstein
- Thoughts on my Practice
- Psittacittic Minimalism
- Taking Stock Again
- On Abstraction 2
- On Abstraction
- Fear
- Notes on Images
- Statement for Core Gallery Open Exhibition
- Limitations/ Renaissance
- Flesh/ Metal
- Cold War Design
- Notes to Myself 6
- Notes to Myself 5
- Notes to Myself 4
- Notes to Myself 3
- Notes to Myself 2
- Notes to Myself
- From "The Language of New Media"
- Responsibilities in Public Art
- The Word Trap
- The Simulation
- The Expanded Moment
- Context is Everything
- Truth and Lies
- Human Evolution and Society
- Juan Munoz Double Bind/ Mike Nelson The Coral Reef
- Culturally Mediated Landscapes
- Possibilities for the Presentation of the Kerbstone Rune project
- Truth
- The Work of Thomas Demand
- Design
- Keywords, Dualities, Utopias
- The Broken Line/ Dotted Line
- Magic and Poetry
- Hidden City Project
- Environments
- Reality and Fiction
- The Known is the Unknown
- Choosing to Believe
- Important Elements
- The Readymade
- Anti-relational Aesthetics
- Exhibition Press Release and Statement, m2 Gallery
- Betwixt/ in-between
- The Archive
- The Box File
- Archive Project
- Five Thoughts
- Themes
- The Archive/ Book Project
- My Work
- Thoughts on My Work: Themes & Ideas
- Themes
- Obsession
- Form of the Project
- Railway Lines
- Signs, Objects, Relationships, Connections
- Hidden Worlds
- What if...
- What to Do?
- How to Escape the Conceptual?
- Billboard Project
- Language of Art
- Notes on Taksonomia/ Taxonomy
- The Art Context
- Experience
- Ethics of the Artist
- Questions
- Why Make ‘Art’?
- The Elements of Painting
- 'Meaning'
- Communication Theory
- A Practice
- Taking Stock
- What is Art for?
- Worries
- The Readymade
- Photographs
- Neutrality
- Art as Process
- Space-Time
- Parallel Lines Converge
- Membrane
- Residue
- Residue
- The Obscenity of Text
- Keywords 3
- Magic
- Keywords 2
- Text from Expatiate Extempore booklet
- Ethical Art
- The Long View
- Discourse
- Hazard Imagery
- Utopia/ Dystopia
- My Concerns
- Facile Art
- The Future/ Language and Mimesis
- Language
- Keywords
- The Site of the Artwork
- Manipulated imagery
- Hazard Paintings
- Areas of interest
- Avant-Garde
- Questions
- Contact
- Links