B Stuven
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    • Welcome to Srodka
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    • I FIND YOUR LACK OF FAITH DISTURBING
    • W&P Postcard Archive #001
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    • HAZARD PARALLAX
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    • Notes on My Practice/ What's Wrong with the Hidden City Project?
    • Gordon Matta-Clark and the Wall Sandwich
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    • Limits to Movement Through space
    • Notes on the Work of Marcel Duchamp
    • The Studio
    • Art and the Reality of Fiction
    • Bad New(s) Days
    • Sunlight
    • Faith, Confidence and Belief
    • Not 'Picture Marking'
    • Agnes Martin vs. Pacific Rim
    • A Lament for the Lost Innocence of Abstract Art
    • On Academic Writing and Finding One's Voice
    • The Site of Art
    • Fun Lichtenstein
    • Thoughts on my Practice
    • Psittacittic Minimalism
    • Taking Stock Again
    • On Abstraction 2
    • On Abstraction
    • Fear
    • Notes on Images
    • Statement for Core Gallery Open Exhibition
    • Limitations/ Renaissance
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    • Cold War Design
    • Notes to Myself 6
    • Notes to Myself 5
    • Notes to Myself 4
    • Notes to Myself 3
    • Notes to Myself 2
    • Notes to Myself
    • From "The Language of New Media"
    • Responsibilities in Public Art
    • The Word Trap
    • The Simulation
    • The Expanded Moment
    • Context is Everything
    • Truth and Lies
    • Human Evolution and Society
    • Juan Munoz Double Bind/ Mike Nelson The Coral Reef
    • Culturally Mediated Landscapes
    • Possibilities for the Presentation of the Kerbstone Rune project
    • Truth
    • The Work of Thomas Demand
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    • The Broken Line/ Dotted Line
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    • Exhibition Press Release and Statement, m2 Gallery
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    • What to Do?
    • How to Escape the Conceptual?
    • Billboard Project
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    • The Art Context
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    • Why Make ‘Art’?
    • The Elements of Painting
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    • Communication Theory
    • A Practice
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    • Parallel Lines Converge
    • Membrane
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    • The Obscenity of Text
    • Keywords 3
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    • Keywords 2
    • Text from Expatiate Extempore booklet
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